Head-dibs

  “She gazed ahead through a long reach of future days strung together like pearls in a rosary, every one like the others, and all smooth and flawless and innocent, and her heart went up in thankfulness. Outside was the fervid summer afternoon; the air was filled with the sounds of the busy harvest of men and birds and bees; there were halloos, metallic clatterings, sweet calls, and long hummings. Louisa sat, prayerfully numbering her days, like an uncloistered nun.” A New England Nun By Mary E. Wilkins Freeman (1852–1930)

  “Destiny, he reflected, seems to have very positive notions about the sort of parts we are fitted to play. The scene changes and the compensation varies, but in the end we usually find that we have played the same class of business from first to last. Everett [Hilgarde] had been a stopgap all his life. He remembered going through a looking glass labyrinth when he was a boy and trying gallery after gallery, only at every turn to bump his nose against his own face—which, indeed, was not his own, but his brother’s. No matter what his mission, east or west, by land or sea, he was sure to find himself employed in his brother’s business, one of the tributary lives which helped to swell the shining current of Adriance Hilgarde’s.” A Death in the Desert By Willa Cather (1873–1947)

  “He had declared he would make an egg stand on end and then when his bluff had been called he had done a trick. Still grumbling at Columbus, father took an egg from the basket on the counter and began to walk up and down. He rolled the egg between the palms of his hands. He smiled genially. He began to mumble words regarding the effect to be produced on an egg by the electricity that comes out of the human body. He declared that without breaking its shell and by virtue of rolling it back and forth in his hands he could stand the egg on its end. He explained that the warmth of his hands and the gentle rolling movement he gave the egg created a new centre of gravity, and Joe Kane was mildly interested. “I have handled thousands of eggs,” father said. “No one knows more about eggs than I do.”” The Egg By Sherwood Anderson (1876–1941). Art by Copilot

 

  “On Saturday morning I reminded my uncle that I wished to go to the bazaar in the evening. He was fussing at the hallstand, looking for the hat-brush, and answered me curtly: “Yes, boy, I know.”” Araby By James Joyce (1882–1941). Art by Copilot

  “In the night a camel died. I have had it brought here.” Four bearers came and threw the heavy carcass right in front of us. No sooner was it lying there than the jackals raised their voices. Everyone of them crept forward, its body scraping the ground, as if drawn by an irresistible rope. They had forgotten the Arabs, forgotten their hatred. The presence of a powerfully stinking dead body wiped out everything and enchanted them. One of them was already hanging at the camel’s throat and with its first bite had found the artery. Like a small raging pump which—with a determination matched only by its hopelessness—seeks to put out an overpowering fire, every muscle of its body pulled and twitched in its place. Then right away all of them were lying there on the corpse in a mountainous heap, working in the same way. Then the leader cracked his sharp whip powerfully all around above them. They raised their heads, half fainting in their intoxicated state, looked at the Arab standing in...

  “Is there any way out of this garden except through the paddock where the pig is?”  “I always go over the wall, by way of the plum tree,” said Matilda.  “Dressed as we are we could hardly do that,” said Mrs. Stossen; it was difficult to imagine her doing it in any costume. “Do you think you could go and get someone who would drive the pig away?” asked Miss Stossen.  “I promised my aunt I would stay here till five o’clock; it’s not four yet.”  “I am sure, under the circumstances, your aunt would permit—”  “My conscience would not permit,” said Matilda with cold dignity.  “We can’t stay here till five o’clock,” exclaimed Mrs. Stossen with growing exasperation. The Boar-Pig By Saki (H. H. Munro) (1870–1916) Art by Copilot

  “Miao could stand it no longer, and roared like a dragon till the hills and valleys echoed again. He then went down on his hands and knees, and jumped about like a lion, which utterly confused the poets, and put an end to their lucubrations. The wine had now been round a good many times, and being half tipsy each began to repeat to the other the verses he had handed in at the recent examination, all at the same time indulging in any amount of mutual flattery. This so disgusted Miao that he drew Kung aside to have a game at “guess-fingers;” but as they went on droning away all the same, he at length cried out, “Do stop your rubbish, fit only for your own wives, and not for general company.” The others were much abashed at this, and so angry were they at Miao’s rudeness that they went on repeating all the louder. Miao then threw himself on the ground in a passion, and with a roar changed into a tiger . . . “ “The Tiger Guest” By Pu Songling (1640–1715). Pic by Copilot

  “Hear and attend and listen; for this befell and behappened and became and was, O my Best Beloved, when the Tame animals were wild. The Dog was wild, and the Horse was wild, and the Cow was wild, and the Sheep was wild, and the Pig was wild—as wild as wild could be—and they walked in the Wet Wild Woods by their wild lones. But the wildest of all the wild animals was the Cat. He walked by himself, and all places were alike to him.” “The Cat That Walked By Himself” By Rudyard Kipling (1865–1936) pic created by Copilot

  “Pluto—this was the cat’s name—was my favorite pet and playmate. I alone fed him, and he attended me wherever I went about the house. It was even with difficulty that I could prevent him from following me through the streets. Our friendship lasted, in this manner, for several years . . . “ The Black Cat By Edgar Allan Poe (1809–1849). Pic by Copilot

  “At that moment the boss noticed that a fly had fallen into his broad inkpot, and was trying feebly but desperately to clamber out again. Help! help! said those struggling legs. But the sides of the inkpot were wet and slippery; it fell back again and began to swim. The boss took up a pen, picked the fly out of the ink, and shook it on to a piece of blotting-paper. For a fraction of a second it lay still on the dark patch that oozed round it. Then the front legs waved, took hold, and, pulling its small, sodden body up, it began the immense task of cleaning the ink from its wings. Over and under, over and under, went a leg along a wing, as the stone goes over and under the scythe. Then there was a pause, while the fly, seeming to stand on the tips of its toes, tried to expand first one wing and then the other. It succeeded at last, and, sitting down, it began, like a minute cat, to clean its face. Now one could imagine that the little front legs rubbed against each other lightly, ...

  “A child was standing on a street-corner. He leaned with one shoulder against a high board fence and swayed the other to and fro, the while kicking carelessly at the gravel. Sunshine beat upon the cobbles, and a lazy summer wind raised yellow dust which trailed in clouds down the avenue. Clattering trucks moved with indistinctness through it. The child stood dreamily gazing. After a time, a little dark-brown dog came trotting with an intent air down the sidewalk. A short rope was dragging from his neck. Occasionally he trod upon the end of it and stumbled.” “A Dark-Brown Dog” By Stephen Crane (1871–1900). Pic created by AI

  “A young dog, a reddish mongrel, between a dachshund and a “yard-dog,” very like a fox in face, was running up and down the pavement looking uneasily from side to side. From time to time she stopped and, whining and lifting first one chilled paw and then another, tried to make up her mind how it could have happened that she was lost.” “Kashtanka” By Anton Chekhov (1860–1904)

  A certain cat had made the acquaintance of a mouse, and had said so much to her about the great love and friendship she felt for her, that at length the mouse agreed that they should live and keep house together. “But we must make a provision for winter, or else we shall suffer from hunger,” said the cat, “and you, little mouse, cannot venture everywhere, or you will be caught in a trap some day.”. . .  “Cat and Mouse in Partnership”, a short story by Jacob (1785–1863) and Wilhelm Grimm (1786–1859). Photo credit: Pexels

  “In a forgotten corner, however, almost hidden behind a dismal shrubbery, was a disused tool-shed of respectable proportions, and within its walls Conradin found a haven, something that took on the varying aspects of a playroom and a cathedral. He had peopled it with a legion of familiar phantoms, evoked partly from fragments of history and partly from his own brain, but it also boasted two inmates of flesh and blood. In one corner lived a ragged-plumaged Houdan hen, on which the boy lavished an affection that had scarcely another outlet. Further back in the gloom stood a large hutch, divided into two compartments, one of which was fronted with close iron bars. This was the abode of a large polecat-ferret, which a friendly butcher-boy had once smuggled, cage and all, into its present quarters, in exchange for a long-secreted hoard of small silver. Conradin was dreadfully afraid of the lithe, sharp-fanged beast, but it was his most treasured possession.” “Sredni Vashtar”, a short ...

  “There were no troublesome memories in his childish sleep; no token came to him of his brave days at college, of the glittering years when he flustered the hearts of many girls. There were only the white, safe walls of his crib and Nana and a man who came to see him sometimes, and a great big orange ball that Nana pointed at just before his twilight bed hour and called “sun.” When the sun went his eyes were sleepy—there were no dreams, no dreams to haunt him. The past—the wild charge at the head of his men up San Juan Hill; the first years of his marriage when he worked late into the summer dusk down in the busy city for young Hildegarde whom he loved; the days before that when he sat smoking far into the night in the gloomy old Button house on Monroe Street with his grandfather—all these had faded like unsubstantial dreams from his mind as though they had never been. He did not remember.” The Curious Case of Benjamin Button By F. Scott Fitzgerald (1896–1940)

  “She was always fond of someone, and could not exist without loving. In earlier days she had loved her papa, who now sat in a darkened room, breathing with difficulty; she had loved her aunt who used to come every other year from Bryansk; and before that, when she was at school, she had loved her French master. She was a gentle, soft-hearted, compassionate girl, with mild, tender eyes and very good health. . . .  . . . Of her former attachments not one had been so deep; never had her soul surrendered to any feeling so spontaneously, so disinterestedly, and so joyously as now that her maternal instincts were aroused. For this little boy with the dimple in his cheek and the big school cap, she would have given her whole life, she would have given it with joy and tears of tenderness. Why? Who can tell why?” “The Darling” By Anton Chekhov (1860–1904). Image created by AI

  “The romantic pass of the Notch is a great artery through which the life-blood of internal commerce is continually throbbing between Maine on one side and the Green Mountains and the shores of the St. Lawrence on the other. The stage-coach always drew up before the door of the cottage. The wayfarer with no companion but his staff paused here to exchange a word, that the sense of loneliness might not utterly overcome him ere he could pass through the cleft of the mountain or reach the first house in the valley. And here the teamster on his way to Portland market would put up for the night, and, if a bachelor, might sit an hour beyond the usual bedtime and steal a kiss from the mountain-maid at parting. It was one of those primitive taverns where the traveler pays only for food and lodging, but meets with a homely kindness beyond all price.” From “The Ambitious Guest” By Nathaniel Hawthorne (1804–1864). Painting: “Crawford Notch” by Thomas Hill (1872), public domain

  “The father of thirteen was a wild, unkempt-looking creature, habited in an outer garment composed of a dirty sack, through the hole cut in the bottom of which his head projected; a tangle of matted red hair met a tangle of matted red beard; a small portion of white cheek beneath the angry-looking blue eyes was the only part of his face uncovered. . . .  “Little Brother” By Mary E. Mann (1848–1929)

  “The stranger still stood in the exact middle of the cottage, where he had first planted himself. His singularity impelled a closer scrutiny. A lean, gloomy figure. Hair dark and lank, mattedly streaked over his brow. His sunken pitfalls of eyes were ringed by indigo halos, and played with an innocuous sort of lightning: the gleam without the bolt. The whole man was dripping. He stood in a puddle on the bare oak floor: his strange walking-stick vertically resting at his side.” The Lightning-Rod Man By Herman Melville (1819–1891)

  “I now recalled all the quiet mysteries which I had noted in the man. I remembered that he never spoke but to answer . . .    I had never seen him reading—no, not even a newspaper; that for long periods he would stand looking out, at his pale window behind the screen, upon the dead brick wall; I was quite sure he never visited any refectory or eating house; while his pale face clearly indicated that he never drank beer, or tea and coffee even, like other men; that he never went anywhere in particular that I could learn; never went out for a walk . . . that he had declined telling who he was, or whence he came, or whether he had any relatives in the world; that though so thin and pale, he never complained of ill health. And more than all, I remembered a certain unconscious air of pallid—how shall I call it?—of pallid haughtiness, say, or rather an austere reserve about him, which had positively awed me into my tame compliance with his eccentricities, when I had feared to...

  “. . . towards the end of the second year a most startling thing happened to him. He discovered one day, to his great surprise, that, in addition to the relation of usefulness existing between people, there was also another, a peculiar relation of quite a different character. Instead of a man being wanted to clean boots, and go on errands and harness horses, he is not wanted to be of any service at all, but another human being wants to serve him and pet him. Suddenly Alyosha felt he was such a man. He made this discovery through the cook Ustinia. She was young, had no parents, and worked as hard as Alyosha. He felt for the first time in his life that he—not his services, but he himself—was necessary to another human being.” (“Alyosha The Pot,” a short story by Leo Tolstoy, published 1905)

“The wife came in bending laboriously under the weight of a huge sack of chestnuts, while her husband jaunted up carrying his gun in one hand, and a second gun slung in his shoulder-belt. It is considered undignified for a man to carry any other burden but his weapons. . . .  “Wife, put down your sack,” he said, “and keep yourself in readiness.” She obeyed immediately. He gave her the gun which was slung over his shoulder, as it was likely to be the one that would inconvenience him the most. He held the other gun in readiness, and proceeded leisurely towards the house by the side of the trees which bordered the path, ready to throw himself behind the largest trunk for cover, and to fire at the least sign of hostility. His wife walked close behind him holding her reloaded gun and her cartridges. It was the duty of a good housewife, in case of a conflict, to reload her husband’s arms.” (“Mateo Falcone,” a short story by By Prosper Mérimé, published 1829)

  “Now and then someone yawned, another followed his example, and each in turn, according to his character, breeding and social position, yawned either quietly or noisily, placing his hand before the gaping void whence issued breath condensed into vapour.” “Boule de Suif” By Guy de Maupassant (1850–1893)

  “The sea has no sense and no pity. If the steamer had been smaller and not made of thick iron, the waves would have crushed it to pieces without the slightest compunction, and would have devoured all the people in it with no distinction of saints or sinners. The steamer had the same cruel and meaningless expression. This monster with its huge beak was dashing onwards, cutting millions of waves in its path; it had no fear of the darkness nor the wind, nor of space, nor of solitude, caring for nothing, and if the ocean had its people, this monster would have crushed them, too, without distinction of saints or sinners.”   (“Gusev” by Anton Chekhov)

 

 

 

 Just can’t come to the door right now At the gate, but missed the gun I can't start, but I'm not done Fortune never smiled at me It left me on my own Someone cracked the hour glass Shattered time and scattered past Set in stone, you can't un-cast The die once thrown And I'm in here with the blinds all drawn I can hear you but I can't respond Though the lights are on, just don't give up 'cause somebody's home Somebody's home Your eyes betray your sympathy But your eyes can't see inside of me Maybe there's nothing to see I guess we'll never know And I'm in here with the blinds all drawn I can hear you but I can't respond Though the lights are on, just don't give up 'cause somebody's home Somebody's home All the things I never said All still here inside my head All the plans you had for me All that will never be Oh, but don't give up on me I see more than you think I see Can anyone hear me, oh? And I'm in her...