Uncloistered

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  “She gazed ahead through a long reach of future days strung together like pearls in a rosary, every one like the others, and all smooth and flawless and innocent, and her heart went up in thankfulness. Outside was the fervid summer afternoon; the air was filled with the sounds of the busy harvest of men and birds and bees; there were halloos, metallic clatterings, sweet calls, and long hummings. Louisa sat, prayerfully numbering her days, like an uncloistered nun.” A New England Nun By Mary E. Wilkins Freeman (1852–1930)

Classical Friday . . . sort of.

Usually Fridays are reserved for literary excursions, but this week, I wanted to do something different. I want to share one of my favorite pieces of music. This particular piece is from "A Little Nightmare Music," by P.D.Q. Bach, the 21st of Johann Sebastian Bach's 20 children.

Prof. Peter Schickele, the only scholar who will study P.D.Q. Bach, divides the life of the composer into three parts: the "Initial Plunge" (when P.D.Q. learned the principles of music), the "Soused Period" (or the "Brown Bag" period, when he forgot what he learned in the Initial Plunge), and "Contrition" (the last short years of his life).

This piece demonstrates P.D.Q.'s excellent grasp and ability to plagiarize. It was a common practice for composers to borrow themes, but this piece is an excellent case-study in the composer's frequent use of tracing paper. Enjoy!

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