Near the exact middle of his classic war novel, " Im Westen nichts Neues (All Quiet On The Western Front)," Erich Maria Remarque makes a startling statement through his main character: "Bombardment, barrage, curtain-fire, mines, gas, tanks, machine guns, hand-grenades--words, words, words, but they hold the horror of the world." Remarque understood the power of words, using them to display the fulness of life and the horrors of "The Great War" (World War I) before our eyes. George Orwell was about eleven years old when "The Great War" broke out and he, too, understood the power of words (is it any wonder both writers have been banned). Orwell's 1946 essay, " Why I Write ," proposes how words in their right arrangement "share an experience which one feels is valuable and ought not to be missed." This is one reason of four Orwell suggests that one would write, for "aesthic enthusiasm;" that is, for the joy of word...