The Necklace

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  “SHE WAS one of those pretty, charming young ladies, born, as if through an error of destiny, into a family of clerks. She had no dowry, no hopes, no means of becoming known, appreciated, loved, and married by a man either rich or distinguished; and she allowed herself to marry a petty clerk in the office of the Board of Education. . . .  She had neither frocks nor jewels, nothing. And she loved only those things. She felt that she was made for them. She had such a desire to please, to be sought after, to be clever, and courted.” —THE NECKLACE Guy de Maupassant    France, 1884 (pic by Grok) Read this short story here:  https://americanliterature.com/author/guy-de-maupassant/short-story/the-necklace

Classical Friday . . . sort of.

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Usually Fridays are reserved for literary excursions, but this week, I wanted to do something different. I want to share one of my favorite pieces of music. This particular piece is from "A Little Nightmare Music," by P.D.Q. Bach, the 21st of Johann Sebastian Bach's 20 children.

Prof. Peter Schickele, the only scholar who will study P.D.Q. Bach, divides the life of the composer into three parts: the "Initial Plunge" (when P.D.Q. learned the principles of music), the "Soused Period" (or the "Brown Bag" period, when he forgot what he learned in the Initial Plunge), and "Contrition" (the last short years of his life).

This piece demonstrates P.D.Q.'s excellent grasp and ability to plagiarize. It was a common practice for composers to borrow themes, but this piece is an excellent case-study in the composer's frequent use of tracing paper. Enjoy!

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