Update

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 Once upon a time , someone asked me if I would be happy working a job that was not at the university. Since my position at the university closed in 2020, I found myself doing exactly that— working in jobs not at the university. It has been a very difficult transition.  Recently, things shifted quickly and in unexpected ways. The short version is that I am leaving the hotel which I am currently working, having taken a position at another.  The longer version of the story is that I stopped by to see my good friend and former GM at his new hotel. While I was visiting with him, one of the owners came out and introduced himself and we got to talking. After a few minutes, he said he wanted me to meet his brother. Our conversation turned into a job interview and 48 hours later I accepted a new position as front desk, manager and assistant operations manager. After some negotiating, we reached an agreement and I start my new position on April 9. It’s a much nicer hotel and these...

Classical Friday . . . sort of.

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Usually Fridays are reserved for literary excursions, but this week, I wanted to do something different. I want to share one of my favorite pieces of music. This particular piece is from "A Little Nightmare Music," by P.D.Q. Bach, the 21st of Johann Sebastian Bach's 20 children.

Prof. Peter Schickele, the only scholar who will study P.D.Q. Bach, divides the life of the composer into three parts: the "Initial Plunge" (when P.D.Q. learned the principles of music), the "Soused Period" (or the "Brown Bag" period, when he forgot what he learned in the Initial Plunge), and "Contrition" (the last short years of his life).

This piece demonstrates P.D.Q.'s excellent grasp and ability to plagiarize. It was a common practice for composers to borrow themes, but this piece is an excellent case-study in the composer's frequent use of tracing paper. Enjoy!

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