The Necklace

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  “SHE WAS one of those pretty, charming young ladies, born, as if through an error of destiny, into a family of clerks. She had no dowry, no hopes, no means of becoming known, appreciated, loved, and married by a man either rich or distinguished; and she allowed herself to marry a petty clerk in the office of the Board of Education. . . .  She had neither frocks nor jewels, nothing. And she loved only those things. She felt that she was made for them. She had such a desire to please, to be sought after, to be clever, and courted.” —THE NECKLACE Guy de Maupassant    France, 1884 (pic by Grok) Read this short story here:  https://americanliterature.com/author/guy-de-maupassant/short-story/the-necklace

The Art of Dancing

 When I was a teen and well into orchestral training, an album was given to me that would be wonderful to find once again. I believe it was called,  “The Compleat Dancing Master.” [sic] It is no longer available, as far as I am able to discover. It was a collection (as I recall) of Renaissance English Country Dance tunes (fiddles, lutes, pipes, guitar, etc). 


When I was a teen and well into orchestral training, an album was given to me that would be wonderful to find once again. I believe it was called,  “The Compleat Dancing Master.” [sic] It is no longer available, as far as I am able to discover. It was a collection (as I recall) of Renaissance English Country Dance tunes (fiddles, lutes, pipes, guitar, etc). 


One track in that collection that stood out as a dance tune faded, was this spoken piece attributed to William Prynne, Archbishop of Canterbury from 1633-1645. The deep, solemn voice orated: 


“Dancing, is, for the most part, attended with many amorous smiles, wanton compliments, unchaste kisses, scurrilous songs and sonnets, effeminate music, lust provoking attire, ridiculous love pranks, all which savor only of sensuality, of raging fleshly lusts. Therefore, it is wholly to be abandoned of all good Christians.”


Dancing can be properly used as a means of expression and communication, as can be seen in various cultures around the world. There are other uses of dancing that fall onto the other end of the spectrum. While it can be enjoyed as an art, as the result of learning, there are some uses leading to sinister results. It can be used a as distraction or enticement. It focuses inward, toward autonomy, away from community. This is manipulation, not Art. Exceptions are rare.


Tap your toes and move your feet in celebration or tradition. Use your body to express what words cannot, as King David did before The LORD. This is art. 


One track in that collection that stood out as a dance tune faded, was this spoken piece attributed to William Prynne, Archbishop of Canterbury from 1633-1645. The deep, solemn voice orated: 


“Dancing, is, for the most part, attended with many amorous smiles, wanton compliments, unchaste kisses, scurrilous songs and sonnets, effeminate music, lust provoking attire, ridiculous love pranks, all which savor only of sensuality, of raging fleshly lusts. Therefore, it is wholly to be abandoned of all good Christians.”


Dancing can be properly used as a means of expression and communication, as can be seen in various cultures around the world. There are other uses of dancing that fall onto the other end of the spectrum. While it can be enjoyed as an art, as the result of learning, there are some uses leading to sinister results. It can be used a as distraction or enticement. It focuses inward, toward autonomy, away from community. This is manipulation, not Art. Exceptions are rare.


Tap your toes and move your feet in celebration or tradition. Use your body to express what words cannot, as King David did before The LORD. This is art. 

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