Somebody’s Home

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 Just can’t come to the door right now At the gate, but missed the gun I can't start, but I'm not done Fortune never smiled at me It left me on my own Someone cracked the hour glass Shattered time and scattered past Set in stone, you can't un-cast The die once thrown And I'm in here with the blinds all drawn I can hear you but I can't respond Though the lights are on, just don't give up 'cause somebody's home Somebody's home Your eyes betray your sympathy But your eyes can't see inside of me Maybe there's nothing to see I guess we'll never know And I'm in here with the blinds all drawn I can hear you but I can't respond Though the lights are on, just don't give up 'cause somebody's home Somebody's home All the things I never said All still here inside my head All the plans you had for me All that will never be Oh, but don't give up on me I see more than you think I see Can anyone hear me, oh? And I'm in her...

Finished Reading

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 Finished reading Sophocles’ third and final Theban play. Actually, it’s the first. Though “Antigone” brings the cycle to a close, it was the first written and performed. One might say that Sophocles was the ancient father of the prequel, producing “Oedipus The King” after “Antigone.” 

This is the tragic account of a daughter-sister of Oedipus burying the body of her disgraced brother, Polynices, against the will of Creon, the king of Thebes, her uncle (in its complicated way). To quote Creon, this is a “story with a great deal of artful precaution. It’s evidently something strange.” 



In this third (and first) tale, Teiresias the blind prophet, makes a curious observation (if you will), that points the way out of tragedy, that “all men fall into sin. But sinning, he is not for ever lost hapless and helpless, who can make amends and has not set his face against repentance.” Though his advice goes unheeded and the characters meet their tragic end, one wonders: must our end be the same? 


(Artwork is “Antigone in front of the dead Polynices” by Nikiforos Lytras, 1865)

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