“How Came I Hither?”

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  “I observed in the herbage a number of weather-worn stones, evidently shaped with tools. They were broken, covered with moss and half sunken in the earth. Some lay prostrate, some leaned at various angles, none was vertical. They were obviously headstones of graves, though the graves themselves no longer existed as either mounds or depressions; the years had leveled all. Scattered here and there, more massive blocks showed where some pompous tomb or ambitious monument had once flung its feeble defiance at oblivion. So old seemed these relics, these vestiges of vanity and memorials of affection and piety, so battered and worn and stained—so neglected, deserted, forgotten the place, that I could not help thinking myself the discoverer of the burial-ground of a prehistoric race of men whose very name was long extinct. Filled with these reflections, I was for some time heedless of the sequence of my own experiences, but soon I thought, “How came I hither?”” An Inhabitant of Carcosa B...

Man Must Hear

New Testament scholar Paul S. Minear noted:

"[Composer Johannes] Brahms chose his own texts [for his German Requiem] from Luther’s Bible to illustrate the Protestant conviction that man must hear and respond to God’s word in man’s own language, and that every believer must be free to deal with the Biblical text apart from priestly veto . . . For the word 'German' he would gladly have substituted the word 'human' because he was concerned to comment on 'the primary text of human existence' finding there, as in the Bible, the universal themes of suffering and joy."

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