I Can’t Stop Thinking Big

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“In a world where I feel so small I can’t stop thinking big” (Rush) “What was after the universe? Nothing. But was there anything round the universe to show where it stopped before the nothing place began? It could not be a wall; but there could be a thin thin line there all round everything. It was very big to think about everything and everywhere. Only God could do that. He tried to think what a big thought that must be; but he could only think of God. God was God's name just as his name was Stephen. DIEU was the French for God and that was God's name too; and when anyone prayed to God and said DIEU then God knew at once that it was a French person that was praying. But, though there were different names for God in all the different languages in the world and God understood what all the people who prayed said in their different languages, still God remained always the same God and God's real name was God.” James Joyce, “A Portrait of the Artist as a Young Man” (1916)

Reading and Understanding the Psalms (part 4)

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A Note Concerning Poetic Language in the Psalms

One feature that Hebrew poetry shares with Western poetry is the use of archaic words, or forms of words. This is a literary device used for effect. While emphasis is placed on words or phrases by means of structure, an additional emphasis can be made through the choice of words through the inspired writer. Understanding when these words occur takes a little bit of detective work, but the effort will be rewarding.

One other feature about archaic words to consider: during the time of King James (1611) "prevent" did not have the same meaning it does today, so the wrong understanding of meaning even in English can be disasterous. Compare Psalm 21:3, 59:10 and 79:8 in various versions, starting with King James.

Once we are able to identify the kind of parallelism (if any, see previous post), we will appreciate the need for synonymns and/or archaic language in the text. One simply cannot use just "ordinary" language in poetry.

Emotions of the Psalms

Poetry touches emotion. Through this means, we are able to personally identify with the experiences of the psalmists: the triumph of his victories, the marvel at the activities of God, the cry of distress and lamenting in hard times, the rejoicing in the blessings of God. Note some examples of range of emotion:

  • Ps. 2:2-4 Contempt in the mocking of God’s enemies
  • Ps. 8:3-5 Awe at how wonderful God made man
  • Ps. 13:1-2 Despair and lamenting in a situation
  • Ps. 73:3-5 Doubt
  • Ps. 116:1 Love

Longman quotes Calvin: “What various and resplendent riches are contained in this treasury, it were difficult to find words to describe . . .. I have been wont to call this book not inappropriately, an anatomy of all parts of the soul; for there is not an emotion of which anyone can be conscious that is not here represented as in a mirror.” (p. 13)

(go to Part 1, Part 2, or Part 3)

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