The Wall

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“What a dear old wall that is that runs along by the river there! I never pass it without feeling better for the sight of it. Such a mellow, bright, sweet old wall; what a charming picture it would make, with the lichen creeping here, and the moss growing there, a shy young vine peeping over the top at this spot, to see what is going on upon the busy river, and the sober old ivy clustering a little farther down! There are fifty shades and tints and hues in every ten yards of that old wall. . . . It looks so peaceful and so quiet, and it is such a dear old place to ramble round in the early morning before many people are about.” Jerome K. Jerome, “Three Men In A Boat (To Say Nothing of the Dog)” Ch. 6 (1889)

The Castle

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“THE CASTLE of the Unnamed was commandingly situated over a dark and narrow valley, on the summit of a cliff projecting from a rugged ridge of hills, whether united to them or separated from them it is difficult to say, by a mass of crags and rocks, and by a boundary of caverns and abrupt precipices, both flanking it and on the rear. The side which overlooked the valley was the only accessible one; rather a steep acclivity, certainly, but even and unbroken: the summit was used for pasturage, while the lower grounds were cultivated, and scattered here and there with habitations. The bottom was a bed of large stones, the channel, according to the season, of either a rivulet or a noisy torrent, which at that time formed the boundary of the two states. The opposite ridges, forming, so to speak, the other wall of the valley, had a small cultivated tract, gently inclining from the base; the rest was covered with crags, stones, and abrupt risings, untrodden, and destitute of vegetation, excepting here and there a solitary bush in the interstices, or on the edges of the rocks.”


(Alessandro Manzoni (1785–1873).  “I Promessi Sposi.”)

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