Uncloistered

HEAD(hed), (n.) 1. the top part of the human body or the front part of an animal where the eyes, nose, east and mouth are. "Your brain is in your head."
DIBS(dibz), (n.) 2. a thick, sweet syrup made in countries of the East, especially the Middle East, from grape juice or dates. [Arabic "debs"]--World Book Dictionary, 1976.
When I was a teen and well into orchestral training, an album was given to me that would be wonderful to find once again. I believe it was called, “The Compleat Dancing Master.” [sic] It is no longer available, as far as I am able to discover. It was a collection (as I recall) of Renaissance English Country Dance tunes (fiddles, lutes, pipes, guitar, etc).
When I was a teen and well into orchestral training, an album was given to me that would be wonderful to find once again. I believe it was called, “The Compleat Dancing Master.” [sic] It is no longer available, as far as I am able to discover. It was a collection (as I recall) of Renaissance English Country Dance tunes (fiddles, lutes, pipes, guitar, etc).
One track in that collection that stood out as a dance tune faded, was this spoken piece attributed to William Prynne, Archbishop of Canterbury from 1633-1645. The deep, solemn voice orated:
“Dancing, is, for the most part, attended with many amorous smiles, wanton compliments, unchaste kisses, scurrilous songs and sonnets, effeminate music, lust provoking attire, ridiculous love pranks, all which savor only of sensuality, of raging fleshly lusts. Therefore, it is wholly to be abandoned of all good Christians.”
Dancing can be properly used as a means of expression and communication, as can be seen in various cultures around the world. There are other uses of dancing that fall onto the other end of the spectrum. While it can be enjoyed as an art, as the result of learning, there are some uses leading to sinister results. It can be used a as distraction or enticement. It focuses inward, toward autonomy, away from community. This is manipulation, not Art. Exceptions are rare.
Tap your toes and move your feet in celebration or tradition. Use your body to express what words cannot, as King David did before The LORD. This is art.
One track in that collection that stood out as a dance tune faded, was this spoken piece attributed to William Prynne, Archbishop of Canterbury from 1633-1645. The deep, solemn voice orated:
“Dancing, is, for the most part, attended with many amorous smiles, wanton compliments, unchaste kisses, scurrilous songs and sonnets, effeminate music, lust provoking attire, ridiculous love pranks, all which savor only of sensuality, of raging fleshly lusts. Therefore, it is wholly to be abandoned of all good Christians.”
Dancing can be properly used as a means of expression and communication, as can be seen in various cultures around the world. There are other uses of dancing that fall onto the other end of the spectrum. While it can be enjoyed as an art, as the result of learning, there are some uses leading to sinister results. It can be used a as distraction or enticement. It focuses inward, toward autonomy, away from community. This is manipulation, not Art. Exceptions are rare.
Tap your toes and move your feet in celebration or tradition. Use your body to express what words cannot, as King David did before The LORD. This is art.