The Kiss

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  “Ryabovitch pulled the bed-clothes over his head, curled himself up in bed, and tried to gather together the floating images in his mind and to combine them into one whole. But nothing came of it. He soon fell asleep, and his last thought was that someone had caressed him and made him happy—that something extraordinary, foolish, but joyful and delightful, had come into his life. The thought did not leave him even in his sleep. When he woke up the sensations of oil on his neck and the chill of peppermint about his lips had gone, but joy flooded his heart just as the day before.” The Kiss By Anton Chekhov (1860–1904)

Finished Reading

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 Finished reading Sophocles’ third and final Theban play. Actually, it’s the first. Though “Antigone” brings the cycle to a close, it was the first written and performed. One might say that Sophocles was the ancient father of the prequel, producing “Oedipus The King” after “Antigone.” 

This is the tragic account of a daughter-sister of Oedipus burying the body of her disgraced brother, Polynices, against the will of Creon, the king of Thebes, her uncle (in its complicated way). To quote Creon, this is a “story with a great deal of artful precaution. It’s evidently something strange.” 



In this third (and first) tale, Teiresias the blind prophet, makes a curious observation (if you will), that points the way out of tragedy, that “all men fall into sin. But sinning, he is not for ever lost hapless and helpless, who can make amends and has not set his face against repentance.” Though his advice goes unheeded and the characters meet their tragic end, one wonders: must our end be the same? 


(Artwork is “Antigone in front of the dead Polynices” by Nikiforos Lytras, 1865)

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