HEAD(hed), (n.) 1. the top part of the human body or the front part of an animal where the eyes, nose, east and mouth are. "Your brain is in your head." DIBS(dibz), (n.) 2. a thick, sweet syrup made in countries of the East, especially the Middle East, from grape juice or dates. [Arabic "debs"]--World Book Dictionary, 1976.
Actually, it’s an ad-duck-tion. I missed the perfect opportunity to say, “and they’re in a row, too!” Silly goose.
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Balance Of The Arts
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January 20, 1961, John F. Kennedy was inaugurated the 35th President of the United States. At the inauguration, poet Robert Frost read his poem, "The Gift Outright"
The land was ours before we were the land’s. She was our land more than a hundred years Before we were her people. She was ours In Massachusetts, in Virginia, But we were England’s, still colonials, Possessing what we still were unpossessed by, Possessed by what we now no more possessed. Something we were withholding made us weak Until we found out that it was ourselves We were withholding from our land of living, And forthwith found salvation in surrender. Such as we were we gave ourselves outright (The deed of gift was many deeds of war) To the land vaguely realizing westward, But still unstoried, artless, unenhanced, Such as she was, such as she would become.
January 29, 1963, Robert Frost died. The impact "The Gift Outright" made on JFK was so significant that on October 26, 1963, Kennedy delivered a speech at Amherst College at an event held in honor of Frost. While on the surface one may hear Kennedy underscore the role of the arts in regards to a nation. But don't miss the fact that here is a world leader embodying the very subject on which he spoke. The poet-statesmen are gone.
Gone are the days when our leaders prove they understand the human spirit by how they embody, even enjoy the arts. The arts provide balance to the business of man whether his business be as grand as government or as small as the rule of the home. Kennedy explains how.
Here are Kennedy's remarks again, describing the role of poetry and the arts in government, or all that man puts his hand to do, for that matter:
"Robert Frost coupled poetry and power, for he saw poetry as the means of saving power from itself. When power leads men towards arrogance, poetry reminds him of his limitations. When power narrows the areas of man’s concern, poetry reminds him of the richness and diversity of his existence. When power corrupts, poetry cleanses. For art establishes the basic human truth which must serve as the touchstone of our judgment . . . And the nation which disdains the mission of art invites the fate of Robert Frost’s hired man, the fate of having 'nothing to look backward to with pride, and nothing to look forward to with hope.'”
All this sounds very familiar when considers the role of the philosopher regarding society.
(ht: Open Culture)
July 2004 I went to Kenya, Africa to speak in two Pastor’s Conferences on the subject of Man, Sin and Salvation. At the end of each day I left just over an hour for questions (half the time were questions touching the subject of my lectures, and the other half for “open questions”; that is, people could ask anything). For the next few weeks, I will be sharing the questions that were asked of me, and my answers—and believe me when I say these people really know how to think! Question from Kenya #1: “Men and women who saw God in the Bible: Why did they not all die?” [“ But He said, ‘You cannot see My face, for no man can see Me and live! ’” (Exodus 33:20) was the basis of the student’s question]. Answer: First, consider those who did see God—how did they respond when they saw Him? They were instantly aware of their sinfulness, and God’s holiness and righteousness (to name a few. And notice also that each responded in an attitude of worship, bowing down): Abraham built altars, wors
“My God, where is that ancient heat towards thee, Wherewith whole shoals of martyrs once did burn, Besides their other flames? Doth poetry Wear Venus' livery? only serve her turn? Why are not sonnets made of thee? and lays Upon thine altar burnt? Cannot thy love Heighten a spirit to sound out thy praise As well as any she? Cannot thy Dove Outstrip their Cupid easily in flight? Or, since thy ways are deep, and still the fame, Will not a verse run smooth that bears thy name! Why doth that fire, which by thy power and might Each breast does feel, no braver fuel choose Than that, which one day, worms may chance refuse. Sure Lord, there is enough in thee to dry Oceans of ink; for, as the Deluge did Cover the earth, so doth thy Majesty: Each cloud distills thy praise, and doth forbid Poets to turn it to another use. Roses and lilies speak thee; and to make A pair of cheeks of them, is thy abuse Why should I women's eyes for crystal take? Such poor invention burns in their low mind Wh
“We are born with a disposition to love in our hearts, which is developed in proportion as the mind is perfected, and impels us to love what appears to us beautiful without ever having been told what this is. Who can doubt after this whether we are in the world for anything else than to love? In fact, we conceal in vain, we always love. In the very things from which love seems to have been separated, it is found secretly and under seal, and man could not live a moment without this.” (Blaise Pascal)